Is there a body in that box? The release of this first still coincides with the new announcement that Blow the Man Down will debut at the Tribeca Film Festival later this month. This is the film that Dan worked, a year ago February in Maine.
Directed by Bridget Savage Cole and Danielle Krudy this movie tells the story of the Connolly Sisters (pictured Sophie Lowe and Morgan Saylor) who are in mourning, but between a dead stranger in the ocean, a missing murder weapon, and the increasingly shady behavior of their recently deceased mom’s friends, they’ve barely had a chance to register their loss. While grieving for this loss, the Connolly Sisters suddenly find they have a crime to cover up, leading them deep into the underbelly of their salty Maine fishing village.
It had been rumored to debut last year at Sundance, before eventually landing in NYC this month. Dan asked for a comp ticket, but the producers are holding on to their cache, while hunting for paying customers. They’re still looking to sell it to a distributor. The film has yet to get any official release date. Whenever it comes out, he should be in the credits, since he is already credited in IMDB. If it goes direct to streaming, I know that I will first fast forward to the credits.
Dan did set dressing for this independent film on location. Now he is doing that kind of work as a studio job in the Brooklyn Navy Yard, which has long since left naval jurisdiction. This is a union job, as opposed to an independent one. It pays better, but offers less artistic freedom.
This quartz skull is on display in the British Museum. Its past is murky and its authenticity is in doubt. Legend holds that this skull possesses special powers and is an ancient Aztec artifact. Its like was featured in the last Indiana Jones chronicle. The Smithsonian believes that it was manufactured in 19th-century Germany. Its material precludes carbon dating, but microscopic abrasion patterns indicate its machined origin.
This is not the only such skull. Enough of them were made so that its origin can be tracked to a particular town in Germany. Turquoise masks, like the one pictured are authentic Aztec and could have inspired these skulls. What I find interesting is the question of why George Lucas and Steven Spielberg chose an archeological hoax as the basis for their film. This iteration of the Indiana Jones franchise performed poorly, compared to its predecessors. So, choosing a hoax as its focus maybe isn’t all that remarkable, but is indicative of the now worn state of this once great series.
In other news, I got our taxes done. We couldn’t itemize, what with the new much larger standard deduction. Still, we came out a little better than last year. We should get money back from the Feds, eventually. With another looming government shutdown, the timing on when that will occur is questionable. We owe the state. So, there is no rush with them. I got a scare when I printed out a copy of the forms. the state’s payment forms had a watermark on them that said, “Do Not File—Forms Not Final”. I had just filed our taxes. Further investigation uncovered that the state was the culprit here and not me. The offending forms are scheduled to be updated next week. Like I said there is no real rush here.
Overheard by Dan on the streets of NYC, “There is no holding hands in Times Square, if we get separated, we’ll meet again in heaven.” Our Eve was quieter than the one presented last night on TV, but it was also much drier. It did rain here and quite a bit, but that was well done my midnight. I know this, because we all managed to make it to the witching hour. We did see some fireworks, just not the ones pictured. Ours were of the local, neighborhood variety.
Unexpectedly, Dan stayed in for the night. I was surprised and a bit unprepared, but there was more than enough supper for the three of us. As the out-of-town impresario, Dan held the remote for the night’s entertainment. Befitting the only member of our household having his own IMDb page, he began with a series of lectures from movie dialect coach Erik Singer. Singer’s talks included voice coach analysis of famous actors speaking with an accent not their own. He also deconstructed fictional “constructed languages,” such as Klingon and Dothraki.
For the feature film, Dan chose Avengers: Infinity Wars. This Marvel superhero movie includes a cast of thousands, so I was always asking Dan, “Who’s that?” Meanwhile, Anne the biblioklept, read Dan’s book, Hope Never Dies. This non-Marvel superhero story, features two buds, two out-of-work civil servants, Joe and Barack, now chaffing at the lack of action. A suspicious death launches this dynamic duo into the role of amateur sleuths. These two parallel tales concluded at about the same time, just before the night’s big countdown got interesting.
In director Damien Chazelle’s new bio-pic “First Man”, Neil Armstrong (Ryan Gosling) is headed to the moon, striving to be the first man to set foot on it. While back on earth, his wife Janet (Claire Foy) is holding down the home. He’s shooting for the stars, but she remains the heart of this film. Two stories are told, the public one we know and the private story of the costs to those involved.
Who knew that spaceflight could be so violent and noisy, even when everything is nominal. I guess that when you strap half a kilo-ton of high explosives to your back, it is not too much to expect that there will be a whole lot of shaking going on. The movie recounts Armstrong’s three near-death experiences, first in an X-15 skipping off the atmosphere, next in a spinning out of control Gemini capsule and finally while doing desert practice moon landings in a spidery training craft that makes the real moon landing look like a walk in the park.
In-between his work the Armstrongs raise a family and cope with death. They have three children, two sons and a daughter. They attend colleagues funerals and that of their daughter’s, who dies of cancer. Janet seems most affected by the other men’s deaths and the suffering of their surviving widows and endures a there but for the grace of God go I existence. While it is his daughter’s death that most affects Neil, causing him to wall off his feelings of grief and throw himself unsparingly into his work. She finds his stoic façade maddening.
“First Man” deserves a spot in the pantheon of contemporary spaceflight film. Joining “Apollo 13”, “Gravity”, “The Martian” and “The Right Stuff”, while excluding both “Star Trek” and “Star Wars” and their more fanciful like. Even though it relates events that occurred sixty or more years in the past, it seems rooted in the present. Maybe because it tells a story that I have seen. I can still remember that sultry summer evening, huddled around a noisy B&W feed and barely hearing him say, “One small step for man. One giant leap for mankind.”