The Small Diameter Bomb (SDB) demonstrates an economy of force that accuracy allows. Weighing in at 250 lbs., it weighs just one-eighth of the 2,000 lb. bomb that it replaces. This weight loss leads to a multiplicative increase in lethality, allowing more targets to be hit than before. The constellation of Global Positioning Satellites (GPS) that allows your phone to navigate your way to grandma’s house, also guides the SDB. GPS guided bombs predate the SDB. This technology was originally applied to the aforementioned 2,000 lb. behemoth, but use showed that this much explosives was overkill. A willowing process led to a progression of bomb size reductions. Eventually resulting in the 250 lb. GPS guided bomb. The innovation that truly marks the SDB is the addition of wings. These wings allow the bomb to glide up to 60 miles from release. Turning away after bomb separation, this fire-and-forget technology allows the attacking of defended targets, at a reduced risk to the bomber. The SDB is produced in Saint Louis by Boeing.
Dinner and a show. Cyrano’s for dinner. The show was downstairs in the Studio’s hot black-box of a space. The Rep went all out on set design for this play. The hallway to the space was decorated in a gothic motif, befitting the play’s mood. I was glad to know that the upstairs mainstage space was dark this week, because there was a running soundtrack of creaks and groaning timbers that if there had been a crowd up there, it would have made me very nervous. Seating was more limited than normal, with the set taking up more than the usual amount of floor space.
This is the world premiere of Feeding Beatrice. Starting just before Halloween, it is almost at the end of it run. It is set in an old Boston mansion, in one of the better neighborhoods, but is in need of repair. As the lights come on, Lurie and June Walker, a young black couple and new owners are christening their four-footed tub, au naturel. June sees a million things that need to be done to this house and seems to want them all done immediately. Lurie is less enthusiastic, but is willing to do almost anything that will make June happy. When they find a body beneath the flooring in the bathroom, covering it up again is just one more thing that needs to be done. Enter Beatrice, a young white woman with a ravenous appetite and a fondness for Shirley Temple. Beatrice proceeds to insinuate herself into the Walker’s lives, feeding all the way. She is a little quirky, not the least because she is dead. Lurie’s brother Leroy rounds out the cast, helps to fixup the house and provides some backstory. The Walker’s haunting houseguest continues to make increasing demands, threatening the Walker’s marital bliss, disturbing domesticity and obstructing upward mobility.