The Topiarist’s Wife

All. ted with permission of the author American 1700s Gown with Geraniums Jessica Palmer Paper, wire, foam board, glue, bamboo, seed-heads 2026 Courtesy of the artist This dress honors Thomas Jefferson's return from France, bringing geraniums to America. It also nods to Jane Austen for whom gardens provided outdoor settings for her characters to meet romantically. The paper parasol is adorned with geraniums, and she holds a seed box for her American-inspired garden. This era empowered women to garden themselves, as seen in books like Gardening for Ladies.
American 1700s Gown with Geraniums. Jessica Palmer, 2026

“I snip because I am”—attributed to Edward Scissorhands

Today’s post features the poem The Topiarist´s Wife by Robert Seatter. It is paired with the above paper sculpture. This dress honors Thomas Jefferson’s return from France, bringing geraniums to America. It also nods to Jane Austen for whom gardens provided outdoor settings for her characters to meet romantically. The paper parasol is adorned with geraniums, and she holds a seed box for her American-inspired garden. This era empowered women to garden themselves, as seen in books like Gardening for Ladies.

“Oops!”—The most dreaded word in a topiarist’s vocabulary

Up close, she saw the hornbeam
as leaf and shadow, shadow
and leaf, counted with precision
each nick and cut, the industry
of his fingers in the early summer hours
before she´d ever left his bed.
Stepping backwards she caught
at specific shapes before her eyes:
head of a bird, blade of a wing,
what his mind could make
out of the cool suburban air,
serration, perforation. At the arch
before the walkway, she heard
the green screech of a peacock,
saw tail fan open, plume on plume.
But it was from the upstairs windows
that she observed in shadow
his whole unknowable menagerie:
the gryphon sprawled in foreign
desire, the clipped vault
of the unicorn rising above,
beyond, their garden wall.

Yesterday, I cut my finger on a nail, while working on the back porch. It was a bloody mess.

The Hour of Bees

The Hour of the Bee, Jodi Harvey, 2024

Yesterday, we went to the garden. It was a beautiful day and as late in the fall as it is, it did not feel like that. Many flowers were still in bloom and bees were buzzing. Yet, Christmas decorations were already up for the holidays. The Sachs Museum, housed in Henry Shaws library was open and we were able to see its new show, The literary Garden. This multimedia exhibit features paper cutout artworks like the one pictured above. Each piece is married with text, usually poetry. There are also olfactory pieces. It is quite something. This artwork features the young adult magical realism novel, The Hour of Bees:

This book sculpture reimagined The Hour of Bees as a physical mediation on time, memory, and the fragile connections between generations and the natural word. By transforming the pages of the novel into a clock surrounded by anemones and bees, the sculpture gives form to the story’s central questions: how time is measured, what is remembered, and what endures. The clock emerges from the book as a symbol of borrowed time and suspended moments. In the novel, time is not only chronological but emotional stretched by storytelling, slowed by reflection, and sharpened by urgency. Shaping the pages into a clock suggests that stories themselves are a way of marking time, preserving experiences that might otherwise fade. The book no longer simply contains fine; it becomes its measure. Anemones and bees unfold from the same pages, representing the living world that pulses alongside human narrative. The flowers echo themes of care, vulnerability. and resilience, while the bees embody continuity, labor, and the transfer of knowledge-pollinators of both ecosystems and stories. They suggest an interdependence between people and nature, memory and action. By sculpting these elements from The Hour of Bees, the work collapses story and object into one form. The novel’s themes are no longer only read but physically encountered, inviting viewers to consider how time, nature, and storytelling shape one another-and how, like bees moving from flower to flower, we carry meaning forward before the hour passes.

Vote Early—Vote Often

The Electorate Has Spoken – Photo by Element5 Digital on Unsplash

Yesterday, Anne and I voted early. It used to be that a valid excuse was required to vote early. Anne always had one, since she is a poll judge. I was usually forced to lie that I would be out-of-town. Then in the year of covid, a new excuse was added, fear of getting sick. After that the need for an excuse was dropped. There was a good turnout at the closest poll, in downtown Clayton. So good that we couldn’t park in the library’s garage. The line wasn’t long, but the ballot was.

We have no big elections. The only statewide office is for auditor. Our Democratic congressman is running unopposed. But there were quite a few ballot issues to vote on. Most of these were put up by the Republicans, so I voted against those. After voting, I saw a sign that said that the library lends out telescopes. I put my name in to check out one. Something to look forward to.

After performing our civic duties, we went to Ivy Cafe for lunch. Ivy is known for their tartines and we each ordered one. Anne had the Meramec, sushi-grade pan-seared Norwegian salmon, tomatoes, cucumber, feta, capers, and mediterranean sauce. While I had the Delmar, strip steak, bell peppers, onions, mushrooms, mozzarella, horseradish drizzle, and herbs.