Small Wonders

Rosary of Henry VIII and Katherine of Aragon

Small Wonders – Gothic Boxwood Miniatures was the special exhibit at the Cloisters, when we visited it this month. These small wonders were created at the dawn of the 16th-century, when Dutch artists transformed boxwood into something utterly new: tiny, intricate carvings, the likes of which had never been seen before. These creative geniuses took a material understood today as merely an ornamental plant and exploited its sculptural potential. In their hands, entire worlds emerged from dense and fine-grained wood.

The pictured rosary is certainly the signature artwork of this exhibit. Leaving aside its historical significance, it is the largest and most complex work in the show. The largest, opened bead is about the size of a golf ball. Each of its eleven beads portrays one of the original twelve Apostles. Also portrayed are events from scripture. It bears the Royal Arms of England as well as the tiny letters “He8” and “Ka”, abbreviations for King Henry VIII and his first wife.  

A Knight in Iridescent Armor

Knights in Iridescent Armor

Knights in Iridescent Armor

It’s cold here now, which strangely feels good. It feels more seasonal. Don’t get me wrong, I’m not complaining, but day-after-day of record high temperatures can get a little bit unnerving, what with global warming and all. We’ve enjoyed a nice long warm Indian summer this fall, but all good things must come to an end and I’d really prefer not to be celebrating the Thanksgiving holiday in shorts and a t-shirt. Call me a traditionalist that way. With this change in the weather, a change in my wardrobe is also in order. No more so than in my choice of bicycle riding attire. I rode yesterday, but I was insufficiently dressed for the weather and had to cut short my ride. It is sometimes difficult to match your daily get-up to the day’s weather, when the weather is changing fast, but today I was more than adequately decked out in full winter weather kit: bike shoes, wool and Gortex socks, tights, bike shorts, base layer, fleece, windbreaker, skull-cap, helmet and two pairs of gloves, all dotted with shiny reflective strips in order to be seen in this season’s failing light, think iridescent. I was probably a wee bit over dressed. I generally like to run a little bit lean in the fall, before the temperatures fall dangerously low. I think that it toughens you up or something, but I didn’t do it this time. I enjoyed luxuriating in my own self-generating warmth.

One nice thing about cold weather is that it really clears off the bike path in Forest Park. I practically had the pathway all to myself. I did make my sanity quotient today, which requires me to see a minimum of six other riders also out and about, but it was a bit of a struggle and took most of my ride to get there. It was quieter today, if you ignored the howling wind. Many of the other riders and pedestrians, which there were way fewer of too, waved at me. I felt a spirit of kinship or comradery with those others who had also chose to brave the plunging mercury. I really shouldn’t get too braggadocios about all this, because the temperature was still in the forties. Colder weather is sure to come, but I still have way more bike clothes yet to wear. I can garb myself so well that I resemble the Michelin man and end up looking like some sort of bouncing ball atop my bike seat. Even in freezing weather, I’ll be out there. Every day I can, I’ll throw one leg over my shiny steed and ride off to do battle with the elements. Then next year, when those first new green shoots of spring began to appear, all wobbly on their rubbery legs, I’ll be able to ride them down. Charge!

The Innocent Eye Test

The Innocent Eye Test, Mark Tansey, 1981

The Innocent Eye Test, Mark Tansey, 1981

In this wry picture, we see a cow standing in front of the 1647 painting by Dutch painter Paulus Potter, The Young Bull. While human experts watch the cow and wait for its reaction, we watch them watching. Will the cow be fooled by the realism of Potter’s painting and bellow a greeting or instead choose to admire Monet’s Grainstack (Snow Effect) on the wall to the right? Cows are famously fond of haystacks. Or is the guy on the left, holding the mop, standing there just in case the cow’s reaction is less salutary and comes from its other end? Every man save the mop guy, who might end up getting the short end of the stick here, is wearing glasses. What does that say about their view of the painting? The Innocent Eye Test is a large painting, measuring 120″ x 78″. While at the Met, I took a step back from the painting and then took the opportunity to watch my fellow patrons of the arts, who were watching it. Then I turned around to see if anyone was also watching me. The term innocent eye generally refers to the eyes of a child or the uninformed, here it is a cow, but it could also signify you the viewer. What do you see? This painting has been interpreted by many as a not-so-veiled commentary on art critics. Be one here. What do you think? The use of a grey monochrome by Tansey comes from his day job as an illustrator for the New York Times.