The Hour of Bees

The Hour of the Bee, Jodi Harvey, 2024

Yesterday, we went to the garden. It was a beautiful day and as late in the fall as it is, it did not feel like that. Many flowers were still in bloom and bees were buzzing. Yet, Christmas decorations were already up for the holidays. The Sachs Museum, housed in Henry Shaws library was open and we were able to see its new show, The literary Garden. This multimedia exhibit features paper cutout artworks like the one pictured above. Each piece is married with text, usually poetry. There are also olfactory pieces. It is quite something. This artwork features the young adult magical realism novel, The Hour of Bees:

This book sculpture reimagined The Hour of Bees as a physical mediation on time, memory, and the fragile connections between generations and the natural word. By transforming the pages of the novel into a clock surrounded by anemones and bees, the sculpture gives form to the story’s central questions: how time is measured, what is remembered, and what endures. The clock emerges from the book as a symbol of borrowed time and suspended moments. In the novel, time is not only chronological but emotional stretched by storytelling, slowed by reflection, and sharpened by urgency. Shaping the pages into a clock suggests that stories themselves are a way of marking time, preserving experiences that might otherwise fade. The book no longer simply contains fine; it becomes its measure. Anemones and bees unfold from the same pages, representing the living world that pulses alongside human narrative. The flowers echo themes of care, vulnerability. and resilience, while the bees embody continuity, labor, and the transfer of knowledge-pollinators of both ecosystems and stories. They suggest an interdependence between people and nature, memory and action. By sculpting these elements from The Hour of Bees, the work collapses story and object into one form. The novel’s themes are no longer only read but physically encountered, inviting viewers to consider how time, nature, and storytelling shape one another-and how, like bees moving from flower to flower, we carry meaning forward before the hour passes.

Ada Palmer

Japanese Garden Fountain

Thou hast most traitorously corrupted the youth of the realm in erecting a grammar school; and whereas, before, our forefathers had no other books but the score and the tally, thou hast caused printing to be used, and, contrary to the king, his crown and dignity, thou hast built a paper mill. It will be proved to thy face that thou hast men about thee that usually talk of a noun and a verb, and such abominable words as no Christian ear can endure to hear. — Henry VI, Part 2, Shakespeare

This morning, I was busily losing my soul in YouTube, when I happened upon a series of shorts, where podcaster Dwarkesh Patel was interviewing Ada Palmer, a University of Chicago professor in Renaissance and Intellectual History and an accomplished Sci-Fi writer. I had previously encountered Mr. Patel with his interviews of Sarah Paine, an American historian who teaches at the Naval War College. I found those interviews on Chinese, Japanese, and Russian modern strategy, as well as WWII history fascinating. Just today, Patel is featured in a NY Times article about his interviews of Silicon Valley tech bros. While these interviews hold little interest for me, but they go far to credit Patel’s gravitas.

Gravitas aside, it is Ms. Palmer who captivated me in this interview. In her 2+ hour interview she ranged so widely that the only comparable conversation in my experience would be the one captured in Louis Malle’s movie, My Diner with Andre. This podcast is subtitled, “Why Leonardo was a saboteur, Gutenberg went broke, and Florence was weird.” To summarize this podcast, Palmer explores the Renaissance’s information technology revolution and its parallels with our current computer-based revolution. But to summarize it so is only to do the thoughts expressed within a disservice. Bite the bullet and watch the show.

Mark of the Octopus


You could call it a love affair with all thing’s octopi, but at this point it is more like a one-night stand. The night before last, we watched the documentary, My Octopus Teacher. This movie tells the story of the year spent by filmmaker Craig Foster forging a relationship with a common octopus in a South African kelp forest. It won Best Documentary at the 93rd Academy’s. Its cinematography is mesmerizing, combined with its hypnotic narration, no wonder I was smitten.

Yesterday, I stayed home and Flora, the housekeeper who came to clean the house. Anne, Jay and Carl went to Point Lobos and walked along the coast. Come the afternoon, Flora finished and the four of us went to Monterey. After lunch, we hit the aquarium. Typically, we go there first thing in the morning, trying to beat the rush. This time it was the reverse. We closed the place. By the end of the day, the aquarium really clears out. Our last two hours there were the best that I ever experienced. The field trips had all left, and the place was actually quite empty. The docents outnumbered the remaining visitors. At closing time, I swung by the octopus to see it one more time. Previously, it had been curled up on itself in a corner, barely visible. This time it was out and about. There were three of us there to watch him, a man, a docent and myself. We were all checking him (a male Pacific octopus) out as he did the same to us.

That night, I continued my octopus-adventure. I watched a Sea Hunt episode entitled “Mark of the Octopus”. This sixties TV show featured Lloyd Bridges as frogman Mike Nelson, a sort of skin-diving detective. In this episode an evil doer was murdering fellow divers and covering up his acts by leaving his victim’s bodies covered with red hickeys that were supposed to be caused by some killer octopus’s suckers. Nelson wasn’t buying it and in twenty-six minutes had solved the case, brought the perps to justice and exonerated the octopus.

In her book, The Soul of an Octopus, author Sy Montgomery describes these creatures as such: “A giant Pacific octopus—the largest of the world’s 250 or so octopus species—can easily overpower a person. Just one of a big male’s three-inch-diameter suckers can lift 30 pounds, and a giant Pacific octopus has 1,600 of them. An octopus bite can inject a neurotoxic venom as well as saliva that has the ability to dissolve flesh.” This sounds pretty scary. They are certainly other worldly and the fact that they are intelligent makes them fascinating to me. An extraterrestrial from our own world. Behind glass they don’t act frightening. More curious, as I was of him. Not that I was ready to plunge into his 47 °F tank, but I think that the water temperature had more to do with that.

CWE Window Walk


Today, we headed to the Central West End for some holiday shopping at Left Bank Books. I got one book and ordered another, while Anne got a whole basket load of books. Talking with the salesclerk at checkout, Anne mentioned that her sister works for BINC. To which the clerk responded that BINC had helped him to replace his car, after last summer’s tornado had destroyed his existing vehicle. Driving on Lindell, along the north edge of the park there is still plenty of storm damage left to be seen. Dozens of century-old, stately mansions still sport “shower caps”, what we call the white plastic wrappings installed after the storm to protect these houses when their slate and tile roofs were ripped off by the tornado. Trump has instructed FEMA not to offer any Federal aid to Saint Louis for this storm, so homeowners are left to their own devices. The mansion owners surely have insurance, and will likely be alright, but after the storm ravaged the park’s environs, it headed into north Saint Louis, which is black and poor and where many will not recover. Charity is all that they have to rely on now.