Million Dollar Quartet

Jerry Lee Lewis and Carl Perkins all met and played together in an impromptu jam session, which Sun Records owner, Sam Phillips dubbed the “Million Dollar Quartet.” Sam had rolled tape that afternoon, from which several albums have ensued. The quartet had primarily played old gospel songs, because those were the ones that they all knew. Last night, we enjoyed the musical version of this story at the Rep. In this version of Million Dollar Quartet gospel is paid its due, with songs like “Down by the Riverside” and “Peace in the Valley”, but the main event is all rock and roll. With twenty-two tunes in the show, there are way too many to enumerate here.

It is the intervals that make this play much more than an Elvis impersonation. The spaces between the songs, where we are given a glimpse at how these legends worked and interacted. That Christmas was a turbulent time for Phillips and Sun. Cash’s contract was up for renewal and RCA was trying to acquire Phillips’ services to help manage Presley. Sam had only a year before sold the rights to Elvis for $40,000, to keep Sun afloat. RCA’s initial response to that offer had been, “We can buy the World Series for less than that.” Acting as MC, Phillips rises above this squabbling sea of virtuosos and rides the rising tide to historical vindication, but not before a host of some mighty fine tunes are performed. At the end of the second act, each member of the quartet ‘solos’ with one of their signature songs: “Hound Dog” for Elvis, “Ghost Riders in the Sky” for Cash, “See you Later Alligator” for Perkins and “Whole Lotta Shakin’ Goin’ On” for Lewis. The last two are played out as encores, hyping the rock concert feel of the show. The crowd was on its feet well before the lights came up and it was announced that Elvis had left the building.

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