On Saturday, after I was finished sledding down Art Hill, I went into the Saint Louis Art Museum (SLAM), the museum for which the hill is named. The SLAMmer as it is affectionately also known is undergoing a major expansion effort that is not due to be completed until 2012. Many of the galleries have been emptied, to protect the art from vibration and dust. A few, small, but still interesting exhibits remain though and one of them is the feature of this post. Glimpsing History through Art: Selections from the Charles and Rosalyn Lowenhaupt Collection of Japanese Prints is its title. Accompanying this post are pictures of a few of the dozen displayed pieces. Most of the works are triptychs. The gallery’s display represents less than 1% of the collection.
The Sino-Japanese War (1894-1895) and the Russo-Japanese War (1904-1905) provided new subject matter for Japanese woodblock artists of the late 19th and early 20th centuries. Woodblock artists who had watched demand for their work decline due to the availability of newer visual mediums such as lithography and photography found a way to entice customers with inexpensive yet colorful prints.
At the beginning of the Meiji period (1868-1912), political power was stripped from the military ruler (shogun) and restored to the emperor, who set Japan on an ambitious path toward modernity. Having modeled its army and navy on the West, Japan took on an increasingly imperialistic agenda as it emerged victorious in the wars against China and Russia. Color woodblock prints depicting scenes of the wars were mostly produced in Tokyo. Astonishingly, many were designed, printed and issued only days after actual military events occurred. At one level they served to disseminate news of the wars to interested members of the Japanese public on the home front, but they were also propaganda tools designed to elicit support for the wars.
Since 1988, Charles and Rosalyn Lowenhaupt of Saint Louis have collected Japanese art, focusing on prints of the two wars. Starting in 2004, they presented several prints from their collection to the Saint Louis Art Museum. In September 2010, the Lowenhaupts donated an additional 1,357 works (including 1,296 prints) to the Museum. This generous gift makes the Museum a premier center for the study of art produced during this pivotal period in Japan’s modern history.
In other news, sister-in-law Kathy has moved her here blog to WordPress. All of the best blogs use wordpress.com. Plus, Kathy has her own URL too,
These are really interesting. I love Japanese prints, typically ukio-ye, but have never seen ones like this. Thanks!